About Me
I am a tenure-track assistant professor in the Department of Media, Film & Journalism Studies at the University of Denver, where I teach film studies. Generally speaking, my research examines the intersection of gender, race, ethnicity, and other identity markers within film and television. My current project focuses on bridging the gap between on-screen narratives of women inmates in prison dramas, such as Netflix's Orange is the New Black and Foxtel's Wentworth, with off-screen narratives from real-life inmates.
Prior to this, I had the distinct pleasure of serving as an assistant professor in the Department of Communication at the University of Arkansas for five years.
Prior to this, I had the distinct pleasure of serving as an assistant professor in the Department of Communication at the University of Arkansas for five years.
Me with Kevin Willmott (Oscar-winning screenwriter of BlacKkKlansman and Distinguished University of Kansas Professor) after his guest lecture titled "Film, Race, Democracy and the Resurgence of Hate" — this guest lecture was part of a two-day campus visit that I organized for the Department of Media, Film and Journalism Studies at the University of Denver (April 10-11, 2019)
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Me with Geena Davis (Academy-Award winning actor and co-founder of the Bentonville Film Festival) after her speaking engagement, which I organized for the Department of Communication's Film Appreciation Society at the University of Arkansas (March 10, 2016)
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Me with Liz Spaulding (then-director of the New York Screen Actors Guild Foundation, now the Director of Revenue Marketing for Starz) before her speaking engagement—an event that I organized for the Department of Communication's Film Appreciation Society at the University of Arkansas (April 6, 2015)
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Select Publications
Rodino-Colocino, Michelle, Lauren J. DeCarvalho, and Aaron Heresco, 2018. "Neo-Orthodox Masculinities on Man Caves.” Television & New Media, 19 (7), 626-645.
DeCarvalho, Lauren J., and Nadia Martínez-Carrillo. 2018. “Serving (Fetishized) Time: An Intersectional Analysis of Netflix’s Food Trucks in Mexico and the United States.” The Journal of Popular Culture, 51 (2), 487-510.
Cox, Nicole B., and Lauren J. DeCarvalho. 2016.* “The Sexism of Sons: A Feminist Critique of FX’s Sons of Anarchy.” Journal of Communications Media Studies, 8 (1): 9-23.
*This “Fall 2016 – Volume 8” issue was delayed in its publishing and was not printed until March 2017.
DeCarvalho, Lauren J., and Nicole B. Cox. 2016. “Extended ‘Visiting Hours’: Deconstructing Identity in Netflix’s Promotional Campaigns for Orange Is the New Black.” Television & New Media 17 (6): 504-519.
Cox, Nicole B., and Lauren J. DeCarvalho. 2016. “‘Ride Free or Die’ Trying: Hypermasculinity on FX’s Sons of Anarchy.” The Journal of Popular Culture 49 (4): 818-838.
McAllister, Matthew P., and Lauren J. DeCarvalho. 2014. “Sexualized Branded Entertainment and the Male Consumer Gaze.” In “Critical Visual Theory,” edited by Peter Ludes, Winfried Nöth, and Kathrin Fahlenbrach, special issue, tripleC - Communication, Capitalism & Critique 12 (1): 299-314.
DeCarvalho, Lauren J. 2013. “Hannah and Her Entitled Sisters: (Post)Feminism, (Post)Recession, and Girls.” Feminist Media Studies 13 (2): 367-370.
DeCarvalho, Lauren J., and Nadia Martínez-Carrillo. 2018. “Serving (Fetishized) Time: An Intersectional Analysis of Netflix’s Food Trucks in Mexico and the United States.” The Journal of Popular Culture, 51 (2), 487-510.
Cox, Nicole B., and Lauren J. DeCarvalho. 2016.* “The Sexism of Sons: A Feminist Critique of FX’s Sons of Anarchy.” Journal of Communications Media Studies, 8 (1): 9-23.
*This “Fall 2016 – Volume 8” issue was delayed in its publishing and was not printed until March 2017.
DeCarvalho, Lauren J., and Nicole B. Cox. 2016. “Extended ‘Visiting Hours’: Deconstructing Identity in Netflix’s Promotional Campaigns for Orange Is the New Black.” Television & New Media 17 (6): 504-519.
Cox, Nicole B., and Lauren J. DeCarvalho. 2016. “‘Ride Free or Die’ Trying: Hypermasculinity on FX’s Sons of Anarchy.” The Journal of Popular Culture 49 (4): 818-838.
McAllister, Matthew P., and Lauren J. DeCarvalho. 2014. “Sexualized Branded Entertainment and the Male Consumer Gaze.” In “Critical Visual Theory,” edited by Peter Ludes, Winfried Nöth, and Kathrin Fahlenbrach, special issue, tripleC - Communication, Capitalism & Critique 12 (1): 299-314.
DeCarvalho, Lauren J. 2013. “Hannah and Her Entitled Sisters: (Post)Feminism, (Post)Recession, and Girls.” Feminist Media Studies 13 (2): 367-370.
Select Awards and Fellowships• The 2018/2019 Social Sciences Marsico Visiting Scholars Program ($2,170 Grant), University of Denver, February 2019
• The 2016 Community Research Award ($5,200 Grant), University of Arkansas, March 2016 • "Most Outstanding" Faculty Member Nominee, University of Arkansas, March 2016 • Robert C. and Sandra Connor Endowed Faculty Fellowship ($2,500 Award), University of Arkansas, April 2015 |
InterviewsNegra, Diane, and Yvonne Tasker. 2014. “Interview with Diane Negra and Yvonne Tasker, Gendering the Recession.” By Lauren J. DeCarvalho. Books Aren’t Dead Monthly Podcast Series, Fembot Collective, October 15. http://fembotcollective.org/blog/category/bad/
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